PRODIGY GOES TO JAIL!!!

WELL WELL WELL, PRODIGY GETS SOCKED BY SAIGON...NOW HIS NUT ASS IS GOIN TO JAIL FOR 3 1/2 YEARS...3 AND HALF YRS FOR A LOADED .22 CALIBER PISTOL....WHAT A DOPE...

BEANIE SIGEL INTERVIEW W/ ALLHIPHOP

AllHipHop.com: So what’s The Solution?

Beanie Sigel: To what?

AllHipHop.com: Word is the title was Return of the Bad Guy, so why is it now The Solution?

Beanie Sigel: The first song I recorded when I had came home, it was a track that used a sample from the Scarface movie, so that’s where that came from. That was the first song I did called “Return of the Bad Guy”. That was the generic title. And then I started recording; towards the end I was searching for a title cause the music, to me, it was strong, it was different in production and a lot of things I usually do as far as music wise than my other albums. I think this might be the strongest one to date as far as the music, the lyrics, the production. So, The Solution. The solution to me for a lot of things as far as getting the music that I want to hear in the course of a day, I really can’t hear it if I’m listening to the radio or watching videos. It’s the solution to that, for me. It’s the solution to problems, whether it be mine or somebody else’s. I made a lot of songs that people can get stuff from.

AllHipHipHop.com: You record The B. Coming knowing you were about to go to jail, besides that was there any difference in your approach to recording this new album?

Beanie Sigel: The B. Coming, I was rushing. At first while I was taking my time doing a lot of songs. When I do my album; I record, if I ain’t feeling the music, I’ll put it away. He might be like [pointing to his associate], "Naw, you crazy, that song’s it." That’s been my whole thing in my career. I record like 15, 16, 17 songs and they ready to put that album out as soon as I get that one that they think can be a single, they ain’t even worrying about the second or third single, "Put it out, put it out!" I always was rushed. This album here will be my first album I can say I completed [it] at my own pace and I’m comfortable and I’m ready to put it out.

AllHipHop.com: The music didn’t sound rushed on The B. Coming and you had a plan going in, did it not come together?

Beanie Sigel: The promotion plan ain’t go through. I knew I was going to have to go away for a minute, everybody knew. So I did as much as I could once I found out what my time was, I had to go away for a year and a day. I did enough things that if I couldn’t promote it physically there was a visual. I did seven videos in five days. I recorded my whole court process. My whole house arrest time, I did like 18 weeks on house arrest. A whole mixtape I recorded in my house on house arrest—I brought equipment and built a studio in my house. I was in there recording songs everyday. I had all that footage on film. After I went in it was like put it out and it do what it just do. I think if [the label] paid a little more attention to it, for what it was that album could have been a lot bigger.

I mean it went gold but if they had pushed it man…
The court stuff it was there, so it was like, What can I do to use this to help me? Anything that they tried to use against me I was using it for me. I did a lot of work man but I felt it went in vain.

AllHipHipHop.com:: So what’s the label is this new album coming out on, Roc-a-Fella/Def Jam? Def Jam?

Beanie Sigel: Def Jam.

AllHipHipHop.com:: Def Jam, ok…

Beanie Sigel: Roc-a-Fella [chuckling]

AllHipHop.com: Fans where expecting you to hit the ground running when you were released from prison, did you take your time on purpose?

Beanie Sigel: Actually when I came home…I ain’t write no music while I was locked up. I ain’t write one rap when I was away.

AllHipHop.com: Why not?

Beanie Sigel: Just the atmosphere, it wasn’t it for me. I ain’t feel it, yanahmean? I was in jail so I wasn’t Beanie Sigel, I was regular. So I didn’t even think about writing raps. I was writing my raps without writing them, if that sounds…that’s an oxymoron, whatever.

I was writing my raps without writing them by just soaking in a lot of stuff that was around me. Stuff that I was seeing, hearing, interacting with different people in the jail. The raps was already there I just had to put them down when I came home. I had a lot to talk about, so it was there. I just had to put it down and get to the music.

So when I first came home, just with the situation of the Roc-a-Fella break up and the split up there was a lot of things that just turned me off from making music at that point; on the business side of things. When I finally got my situation straight, like I wanted to have it, I started recording.

I wanted to have a break. It felt good to have a time out for a minute. I ain’t wanna leave from the music, go away to jail, and then come back and jump right back into it. I wanted to get time to relax, downtime, family with my kids and stuff and just slowly get back into it and that’s what I did.

Usually I just go in the studio and just record; whether it’s 16 bars, put that on the beat, sit it over there and we get back to it. I ain’t do that on this album. When I went in I knew I was going in to make a song. I ain’t do mixtape stuff, none of that. Everything that I was writing was for album purposes.

AllHipHop.com: You just mentioned wanting to get your "situation" straight, what do you mean?

Beanie Sigel: My situation as far me getting back into the thing. Making that transition from the Roc-a-Fella split and where I was going to be and what I felt that I wanted at the time from the label or whatever. Once I got that straightened how I wanted it, that’s when I went in and started recording.

AllHipHop.com: Is it true you’re not going to be working with Dame anymore or is that just a rumor?

Beanie Sigel: I mean a lot of people thought I was going to be on Dame Dash Music Group when I came home. That wasn’t the case. I was in the position where I had to choose between two of my friends and I wasn’t willing to compromise that so I just backed out of the whole situation period.

AllHipHop.com: But you’re on Roc-a-Fella/Def Jam now, so how did your current situation come to be?

Beanie Sigel: I’m on Def Jam/Roc-a-Fella.

AllHipHop.com: So I’m assuming you’re cool with both of Dame and Jay-Z still?

Beanie Sigel: Yeah, I don’t have no problem with nobody. It’s just that actually, to be totally honest, I was always still signed to Roc-a-Fella, being binded by contract. It really wasn’t a matter of making a choice, it was just a decision. Cause really they could have kept me binded by my contract and there wasn’t nothing I could do about that.

AllHipHop.com: So what’s the status of your clothing line?

Beanie Sigel: Right now I’m trying to iron a lot of things out with the clothing line. When I had to go away a lot of stuff was just left in Dame’s hands and he made a lot of decisions with the clothing line that I wouldn’t make. Right now I’m trying to straighten out a lot of business so I can get the clothing line back how it should be.

AllHipHop.com: Will the clothing line still be called State Property?

Beanie Sigel: If we can’t iron out the situation I’ma just move on to a new situation.

AllHipHop.com: What’s about the cartoon you were working?

Beanie Sigel: Yeah, The Playpen. I’m still trying to push that. The people I had working on the cartoon they made a lot of decisions on what they thought that I would want to happen and a lot of things got screwed up. I’m still in that process of fixing a lot of things. People took it upon theyself [sic] to do a lot of things, to make a lot of decisions that wasn’t correct.

AllHipHop.com: It seems like you gotta…

Beanie Sigel: Start all over. That’s what this is. That’s how I’m working right now, like this is my first album, coming out, starting all over again.

AllHipHop.com: One line you said on the album was, “Gonna learn that I was more than a gun and a song." You saying you’ve been misunderstood?

Beanie Sigel: Yeah, I’m more than a gun and a song. You can’t just judge a person by the media nowadays or what you read because nowadays good news is no news. There’s a lot of good going on that you don’t hear about, cause it’s not exciting. That’s why they got magazines and tabloids, it’s gossip. A lot of people just think that’s what it is. They look at the movies, people who don’t know me, Who’s Beanie Sigel, they look at State Property and they be like, Oh that’s him. I’m stuck with that character. [mimicking a scared voice] I wanted to say something but I was scared, cause in State Property you looked…
But this is not State Property, this is real life.

AllHipHop.com: You ever wonder if what if instead of rolling with the Roc you had rolled with The Roots?

Beanie Sigel: No, I ain’t never think about that. Umm hmm [Note: Sigel asks, "What you think?" to his associate, who says, "Roots fans wouldn’t have been ready for him."]
I don’t think we would have complimented each other, at the time.

Actually them vocals on “Adrenaline”, I probably recorded that maybe a year prior to me even meeting Jay-Z. Me and Tariq [Black Thought], we grew up together. Actually that was my first rhyming partner in elementary school. Me and Malik B, we was real tight so I went with him down to the studio one time. When I recorded it, I wasn’t even thinking about being a rapper. It was just something that I knew how to do. So I went down there with him, we was in there f*cking around. Scott Storch was playing for them at the time so he was just playing around, bullsh*tting on the keyboard and he had made the little beat or whatever, he just was f*cking around. Malik kept telling me go ahead record, I’m like, "Nah man, I ain’t doing that sh*t." So they had a couple of raps that I had did that day cause we was just in there bullsh*tting around [but] they recorded it. Then when I got signed with Roc-a-Fella, I had put out a mixtape. I was just putting joints out in the street, they had called and said, "Yo, what you going to do with that verse you had did on the jawn?" So I came down to the studio and they had my vocals from back then and I ain’t know what they was talking about at first. So when I came down and I heard it, I ain’t even remember that sh*t. I had to keep listening to it and I went in there and re-did it over for them. They was like "Yo, we want this verse right here, the same way you did it, cause it wasn’t even a full beat [originally]. That’s how that song happened.

AllHipHop.com: What’s the status of you and Kanye West?

Beanie Sigel: I ain’t go no problem with nobody. I don’t want no trouble. [coyly]

AllHipHop.com: Think you would ever get another track from Kanye West?

Beanie Sigel: If he do it. I believe so.

AllHipHop.com: Has it been a struggle not compromise your music, it seems like you’ve had the luxury of doing what you want to do.
ITS NOT THE WHOLE INTERVIEW BECAUSE I STARTED READING AND IT WASN'T GETTING MY INTEREST TOO MUCH, BUT HERE'S SOME FOR THOSE OF YOU THAT WANT TO, THE LINK IS AT THE BOTTOM...



Beanie Sigel: I always did my music the way I want. I’ve made a couple of records that I wouldn’t have made.

AllHipHop.com: Like what?

Beanie Sigel: [laughing] I ain’t going to do that cause it’s going to sound crazy. It’s a couple of records that I wouldn’t have did that I was talked into. "Alright, I’ma try it." [But], I ain’t never going to compromise my music because that means I’m compromising myself. I can only give you what I got. I think I make good music man.

AllHipHop.com: The first single "All Of The Above" with R. Kelly opens you to new fans. But isn’t he suing Jay-Z?

Beanie Sigel: I don’t know nothing about that.


AllHipHop.com

STEELERS SHUT-OUT SEAHAWKS

THE DEFENSE WAS WITHOUT STARTERS: CASEY HAMPTON, TROY POLOMALU, HINES WARD, AND BREAKOUT WR SANTONIO HOLMES. I THOUGHT HONESTLY THAT MY BELOVED STILLER BOYZ WERE GONNA HAVE A TOUGH GAME BUT FROM THE START IT WAS ALL DEFENSE. UNTIL ABOUT THE LAST 2 MINUTES OF THE FIRST HALF THE STEELER'S OFFENSE LOOKED LIFELESS, Roethlisberger MADE SOME KEY THROWS DOWN FIELD THEY SPREAD THE FIELD AND NAJEH DAVENPORT STEPPED UP COMPLETELY!

IN ALL FAIRNESS, THIS MATCH WAS ONE SIDED, THE WHOLE "STARTERS ARE OUT...WE AREN'T GONNA PLAY GOOD DEFENSE" WENT OUT THE WINDOW. THE FIRST COUPLE DRIVES THE SEAHAWKS MOVED THE BALL DOWNFIELD, GAINING YARDS BUT NOT WHEN IT COUNTED ON THIRD DOWN. TATUPU WAS VERY INSTRUMENTAL IN THEIR DEFENSE'S SLOW BURN ON 'FAST WILLIE' PARKER, ALTHOUGH THEY STAYED IN HIS FACE, HE GRINDED OUT A HEFTY 102 YDS ON 28 CARRIES.
`MOTOR.MAXX`


On the possession that essentially broke the game open, Pittsburgh overcame three holding calls in one seven-play stretch and a 10-yard sack to score on backup tailback Najeh Davenport's one-yard dive over left tackle. Unofficially, the Steelers gained 107 yards on the drive, which opened up a 14-0 lead. Most importantly, though, the Steelers converted three long third-down plays.

Roethlisberger threw to wideout Cedrick Wilson for 15 yards on a third-and-13. Then he hit Miller for 13 yards on a third-and-8. On a third-and-17, following a 10-yard sack by Ellis Wyms, he went back to Wilson again for 17 yards.

"Those plays," said Seattle free safety Deon Grant, "are [killers]. You've got to make a play on third down. They did and we didn't. It's that simple. We'd put them in a hole, then we couldn't keep them down. We couldn't get ourselves off the field."

The fact that the Pittsburgh offense was able to so thoroughly control the tempo against a very good Seattle defense, and without the fast emerging Holmes and four-time Pro Bowl wide receiver Hines Ward (sprained knee), must be a confidence builder.

Everyone knows that tough, aggressive defense is a Pittsburgh staple, and that was the case again in shutting down a high-powered Seahawks attack. Pittsburgh pestered quarterback Matt Hasselbeck, holding him to an anemic 116 yards and a 44.7 passer rating and sacking him twice. Tailback Shaun Alexander, who looked tentative as he continues to play with a cast on his broken left wrist, managed 25 yards on 11 carries.

Counting playoff contests, it was the 30th straight outing in which the Steelers did not allow an individual 100-yard performance. In the second half, the Steelers surrendered just one first down and 33 yards on 13 snaps. And the shutout was only the second against a Mike Holmgren-coached team in 245 regular-season games.

But even without Polamalu and Hampton, the Steelers' defense still has a lot of playmakers.

If the offense can develop a few more key components to go along with Ward and Holmes, tailback Willie Parker (28 carries for 102 yards) and Miller (four receptions, 44 yards) -- and if Roethlisberger manages games the way he did Sunday -- the Steelers could surprise some people.

At 4-1, in first place in the AFC North and with a bye next week, which will allow some wounded players should be able to recover before Pittsburgh resumes play at Denver on Oct. 21, the Steelers exited Heinz Field on Sunday feeling pretty confident about themselves.

With good reason.

"The coaches keep challenging us," wide receiver Nate Washington said. "And we keep demonstrating to them we're ready to step up to the challenge. We showed that today."

Len Pasquarelli is a senior writer for ESPN.com.